Olsen's pairing of powerful songwriting with precise guitar work whether it be a hushed, Townes van Zandt-evoking acoustic melody or a dreamy, Mazzy Star-worthy electric line can be an experimental process. "It's fun for me to hear something go from a shitty demo to it being like an alien in front of me," she says. "That's what cool about making something electric after making something intimate. The first time I played 'Forgiven/Forgotten' solo my friends were like, 'Oh this sounds like something.' So I thought, I'm going to put this to an electric guitar and see what happens."

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